Reviews of Every Band from the Hippy Haze Festival 2012

Hippy Haze Fest 2012.

Saturday 7th April.

Saturday 7th April, midday, and we are about to find out if six months of Richard Buxton’s hair being pulled out by his own hands has been worth it all. Sleepless nights have no doubt been frequent of late for The Hippy Hippy Shake Company owner, and now, with the Clockwork Owls taking to the stage to open the festival, Richard seems full of confidence that this quick paced, quick-witted three piece could deliver. And his confidence was not misplaced, as the Owls flew into their set with an energy and excitement that you would expect from members Aaron Mobberley, James Tildesley and Josh Morris. And perhaps it’s a coincidence, or perhaps the fact spell check fails to recognise two of the lads’ names highlights how unique the Clockwork Owls are.

This their final gig for the foreseeable future (the band are taking time out from gigging to concentrate on penning new material and perfecting their sound), the Clockwork Owls gave it their all, with James on guitar seeming like an Owl freed from his cage to produce solo’s close to being flawless. Aaron performed greatly on bass and vocals, straining at times to hit the hard notes he tortures himself with, but hitting them nonetheless, and Josh played beats as tight as ever, even with a kick drum which was seemingly reluctant to be kicked: jumping away from Josh with every bet it took. Opening band down and Richard’s look of sheer concentration had not relented, but there was already a glint of pride in his eyes.

For such a young band, Wired seem full of maturity and professionalism, and their technical ability is certainly far too advanced for their years. The band’s rocky sound is evidently well-rehearsed, with catchy bass riffs from Jonny Gosling and steaming guitar solos from Duncan Hurst a plenty. Though the nerves of the band were visible at times throughout their set, the four piece are clearly confident in their ability and potential, and, given time to find their own unique sound, Wired could have a very bright future.

Third band of the day From Within are a band clearly packed with potential. A young band, they do have their flaws, but these are the kind of flaws you grind out over time, and time is certainly something four-piece rock band From Within have on their side. Nerves did seem close to be getting the better of the band as a whole, but as individual musician’s and as a band, From Within are hard to knock, their musical ability being visible throughout the set. Tight and well organised, From Within have already come a long way since their founding in 2010, but Anthony Holland chose well in his hunt to find his band members Jordan Bates, Craig Cairns and Brad Casey, who all justified their spot on the stage with their catchy hard-hitting tunes, and with this set at the Hippy Haze Fest proved they are a band to keep an eye on.

Stafford based Platypus Duck played their pop-punk set with bags of energy, the classic guitar pop punk jump even being thrown in from time to time just for good measure. The songs, happy go lucky sounding as they may be, have a purposeful anger rooted within, creating a sound the Hippy Haze crowd clearly enjoyed. After a slight mix up on vocals from Michael Jones, he comically shrugged his shoulders and carried on with the rest of the set, an act proving the band are on the stage purely because they love to be there, and a mistake is easily forgotten when a band such as Platypus Duck put in as much energy and effort as they do.

Cruising towards late afternoon sessions on the opening day of this superb festival and already the crowd had begun to gather, and already everybody at the festival was beginning to feel part of a great event. With the truly awesome prices on alcohol, fast food and of course the gorgeous Hippy Hippy Shake milkshakes, attenders of the Hippy Haze Fest were already making the most of the event, in typical Great British ignorance of the harsh weather that was upon Foxfield Railway. And as the clouds loomed thicker, heavier, a sparkling ray of sunshine sprang to life on the stage. Six rays, in fact. In the form of Stafford based Sea Based Turtles. Meeting and forming at university, this band clearly enjoys wowing the crowd with their funk rock beats and fine blend of well thought out tunes. With an amazing ability to effortlessly entertain, Sea Based Turtles clearly have as much fun on the stage as their fans do off it, and their unique sound left the Hippy Haze crowd wanting more. And why would they not? After guitarist Sam Biggs managed to break not one but two strings on his guitar, bass player Joe Stainsby and drummer Joe Rushton instantly and cleverly jumped straight into a drum and bass ‘interlude’ until Sam had sorted the problem. And sneaking in a cover of Gorillaz track ‘Clint Eastwood’ only caused the crowd to enjoy their set even more, with Whippz ruling over the microphone and his audience after giving a flawless, energetic performance that is now expected form the hip hop rapper.

Third rock band of the day Nameless graced the stage with their presence for a passionate affair full of bird flipping from hectic front man Josh Sutton and hard fought battles between Adam Broadhurst and his guitar, which, after the loud and powerful set, the crowd were probably left still wondering who won the battle. Hardcore rock anthems seem to be high on the agenda for Nameless, who made the most of the space on stage and interacted well with the crowd in a manner you might expect from a rock band. They have the sound, the definitely have the look, and it seems they also have the attitude- A concoction leaving Nameless quite high at the table of rock in Stoke-on-Trent.

Possibly one of the performances of the festival, and quite certainly one of the acts of the opening day, was from newly formed The Black Mirrors. After joining forces in early 2012, the Hippy Haze Fest went down as The Black Mirrors’ debut gig, and what a gig it turned out to be. With stunning riffs and outstanding stage presence, the crowd at the Hippy Haze Festival were left gazing in awe at the end of every song the band threw at them. Twelve months down the line, it would be hard to imagine The Black Mirrors playing anywhere but towards the top of the bill at Hippy Haze 2012. If Mr Buxton wishes to go for it again next year, of course. If you sense a slight hint of a plea there, feel free to assume it is one, as it would be only a fool who wouldn’t want to see this festival take a second year.

Neomantix put on a sound performance with their stunning, well produced sound of pop rock classic songs. Amy Star’s vocals blend gracefully yet powerfully with the instruments behind her, with Andy and Mike’s backing vocals providing a depth that many bands struggle to achieve. Hailing form Stafford, Neomantix did their hometown proud here at the Hippy Haze Festival.

Headgames. So much said with just seven letters of the alphabet. Such a crazy and hectic show from the classic punk reggae group. The band’s style quite possibly being the most eye-catching of the whole festival, lead singer Norman Headgames strolled and stumbled across the stage in a red Army jacket and torn up top hat, which somehow stayed on his bald head as he bowled himself over the barrier and into the crowd, before attempting to bowl back over the barrier, only to catch his foot and almost stumble to the ground. But even then the singer would have made it look cool, as this band seem to know nothing of anything other than cool.

With the darkness falling upon Foxfield Railway, the crowd suddenly began to gather in droves as The Paper Tigers set up their beautifully crafted stage props, layering colourful flowers around the microphone stands and placing their silky canvas banners either side of drummer Laurence Cooper. The banners, which had spent the day just outside the ‘green room’ where the Tigers had cleverly erected a gazebo, made for a very pretty stall from which the boys sold their merchandise. Talk about good marketing skills; they even had a kids’ tent which had the pattern of a tiger all over it. Man, you boys got it goin’ on. The band powered into their set with first song Summer On Blossom Street instantly grabbing the crowds attention. And ending their set with a fantastic and note perfect cover of When You Were Young by The Killers, The Paper Tigers certainly did their upcoming E.P, Safe In Words, no harm whatsoever.

The rock bands were coming thick and fast into the closing of this first night at the Hippy Haze Festival, and taking to the stage fresh from their impressive gig supporting InMe, The Hiding Place stormed through their set, with songs such as Snaketown and Popular Myths- taken from their current E.P- getting the crowd buzzing. As did most bands throughout the weekend, Dominic Webber made sure he took the time to thank Richard Buxton for all his efforts and hard work for the weekend, hard work which seems to have put Richard on quite a pedestal on the local music scene. And rightly so, after working out an awesome close to the first day of his festival. With a performance so thrilling as The Hiding Place’s, with Jonny’s extravagant roll around on the floor to end the set, you begin to wonder who could possibly follow on from that.

And then on walks Nick Pilgrim. Or should I say hobbles on. For the lead singer of Blue Origin puts so much into his sets that he actually damaged tendons in his knee at an Underground gig the week before the festival. But the show must go on! And in fairness to Nick and the boys, there is possibly nothing that would get in the way of them walking onto a stage and giving every inch of themselves to their audience. ‘Cus that’s what they do, they perform, it’s clear to see that, and it’s clear to see the love and passion they have for their music. Currently raising funds to make their debut album, Blue Origin cunningly had an ale at the festival available for all to drink. That’s perhaps not so cunning, fair enough. But then add into the mix the fact a slight percentage of each sale goes to the band’s album fund, and there we have a cunning plan, my Lord.

And then it suddenly became time for the first headline act of the festival. Sworn To Oath took to the stage with rapturous applause, the crowd instantly going crazy at the mere sight of the heavy rock three piece. Tom’s vocals seemed to be on tip top from, and Dave gave it everything on his stunning cream guitar. Hammering through rock classics such as Last Call and Leave You For Dead got the crowd moshing and wind milling in a fashion you know will be in at any STO gig. Throw in new single Stand Alone and the band blaze through an impeccable and seamless set, causing fires in the belly of everyone in the marque.

Headline band Sworn To Oath certainly stuck to their motto ‘DFA’, and left the stage to make way for DJ’s Sub Faction to get the silent disco underway. Hitting the crowd both hard and easy with their mix of garage and true dub step, the boys partied it hard into the night to bring the first night of the Hippy Haze Fest to a sweet close.

Sunday 8th April.

Aaron Mobberley arose to the stage for the second time of the festival to showcase his abilities as a solo artist, not that this guy needs to showcase his abilities, so highly respected is he in the local music scene. This lovely nineteen year old has a voice and a sense of style and song that was made for folk music, and his set was the perfect choice for the opening set of festival now into it’s second day, a day which is also Easter Sunday. You’d be forgiven for thinking Aaron had written his beautifully crafted Commitment E.P with this very set in mind, so perfect would it fit into its surroundings. But Aaron chose instead to take a break from his songs from the E.P, and instead gave the crowd (which had gathered impressively considering the start time of Aaron’s slot) some of his newer tracks, including his opening song Unison Harmonies, featuring such a wonderfully crafted guitar melody and matching vocals.

Staghouse turned out an impressive performance on this cold April morning. Perhaps the coldness of the day explains front man Adam Large’s stunning overcoat, or perhaps he simply is that cool. With the slightest of resemblances to Jarvis Cocker, in keeping with the great fashion sense but also with a geeky deftness of stage presence which seems to naturally burst with the word cool, Adam drove his band through an awesome set, including crowd pleaser Cherry Bee and a few well formed cover songs, taking the works of Kings Of Leon and Nancy Sinatra and blending them with the bands own creative flair to put the icing on the cake of a very fruity and powerful set.

After a brilliant and confident opening, Nuclear Safari were rudely struck by a string breakage on poor George’s bass guitar, but the band battles on courageously until the string was replace, and from that point on the band sailed through their set, with George proving his much more than a string breaker by wowing the crowd with an absolutely jaw dropping intro solo on Play For A While. And on top of that, they snuck in a cover of Chilli’s song Can’t Stop, and song which Aaron Mobberley joked was a song George had begged the band to cover so he could show the fans at the festival just how amazingly talented he is on the bass guitar. If that’s true, then fair play to you George, fair play indeed! More interaction with the crowd, however, may do Nuclear Safari a world of good, as they have potential to win over any crowd they are put in front of.

They dress like Oasis. They play like Oasis. They swagger like Oasis. Fool’s Paradise might just have what it takes to take on Kasabian for their place as the Oasis successor. This band rocked up at the festival fully equipped with hard-hitting Brit-rock anthems, suave sideburns and one hell of a sexy guitar. Throw into the cauldron a bit more confidence and arrogance on stage and Fool’s Paradise just might have what it takes to go the distance on a national scale.

If you are not already a huge fan of Diamonds and Dynamite, then you have serious issues concerning musical taste. Durmot Jelves turns up to Foxfield Railway with a hand held games console, for chilling out with in the green room one might think. But no, this guy rocks up on stage and blows the minds of his audience with his crazily prepared collection of electronic mixes, featuring not only great well known classics but also local acts such as The Paper Tigers also. Diamonds and Dynamite instantly became one of the festival’s most inventive act, and most definitely capturing the attention of all in the marquee, including a photographer who, after taking a few good snaps, decided to sit back and marvel at Durmot’s set. Once finished, Durmot attempted to explain how he builds his set. “It’s like, one guitar, and a singer, and a bass, and then another guitar, and then erm, yh, it just kinda goes into erm, a box. Thingy.” Seems it’s so technical even he struggles to explain it.

The time had finally come for the beautiful voice of Sian Matthews to grace us on the stage, with her four piece band Faux Feet, and they were by no means a letdown with their cute, catchy bass riffs, cool guitar riffs played with an air of confidence, and tight, unique drum patterns, not to mention again the beautiful vocals of Sian, of which Mr Buxton’s daughter Gabriella said “Sian only has to open her mouth and I hear angels.” Luckily for Gabriella Sian might be gracing us for a second time this weekend. Faux feet, consisting of Sian Mathews, Carl Howe, Tim Cooke and Tom Harrison, seem well thought out, with precise, delightful songs not unlike The XX, perhaps only more on the heavy side. But only a tad more, and this band seems to distinctly lack any sign of an ego, but instead you may find modesty within each band member, a modesty which seems odd when considering just how impressive this band are and how much potential they carry.

In The Cards are a band who walk onto the stage knowing exactly what they are going to do. They give the impression that each song has been worked on and worked on until they can’t possibly do any more to the song, and the effort they put in off stage shows though in their performance on the stage. This set was very well rehearsed, and though at times the band seem to perhaps show off their talents, for example an extravagant bass solo with a bit too much extravagance, the band seem to bring their off stage efforts and energy onto it. Work needs to be done, however, on interacting with the crowd, as very little was said in between songs.

Running into tea time and the marquee fills up suddenly for what is to be the final ever gig from the Pretty Great Whites.  Fans of this band are not just fans, they are addicted fans, and they are all clearly gutted to see the band splitting up, but they are here in force to witness what is quite clearly going to be a memorable performance. The band stroll on stage passionately, and look every bit the fashionable icons a band should be, apart from a slightly odd pair of socks sported by the bass player. Two songs in and said bass player stops to make the crowd sing happy birthday to somebody who is watching the band perform, highlighting the Pretty Great Whites’ ease at being on the stage on how comfortably they interact with their audience. Musically the band play a great set and fantastic show full of energy, leaving the crowd extremely sad to see the band depart. As individuals, there is much more to come from this bunch of talented lads, but unfortunately the Pretty Great Whites are no more.

Next up Judah Carvanna took to the stage with an unfortunate lack of support. One thoughtless man moaned that the background music had been turned off, which was possibly the one and only disappointing occurrence of the whole festival. Judah reacted brilliantly, however, saying how he had travelled two hundred miles to play some decent music. The drunken man was quiet for the rest of the performance. A sound set from Judah, perhaps not appreciated in the way he maybe should be, creating sturdy, entrancing techno tunes on his Mac Book Pro.

Moral Panics had been anxiously gearing up for their set around the back of the marquee, most notably under the gazebo left by the Paper Tigers, which had now been coolly renamed the Tiger Tent. Guitarist Dan, as always, was having trouble tuning up his beautiful Squire guitar, splendidly white in colour with effective red tape around the edges of some of the guitar, so he was stood under the Tiger Tent hiding from the rain as he cheekily made sure his guitar was ready by playing a quick E chord. Once on stage, Dan’s floppy brunette hair keeps falling over one eye and he has to constantly flick it back to one side, until during one song in the bands hectic yet well organised set, he gives up and lets his hair hang over his eye as he goes wild in sweetly written guitar riffs. Drummer Eden lets rip on the kit, ruthlessly bashing at the kick drum with perfect timing all at the same time as playing crazy rhythms to get the crowd moving. After a brilliant cover of Ellie Goulding’s Stary Eyed, Moral Panics then go on to perform an amazing set, with songs such as Breathe going down well with the  impressed crowd.

‘3’s a riot’ does almost hit the nail on the head when describing the effect 3’s a Riot had on the crowd. Almost is the definitive word here, as it would seem the added fourth member of the band  gave the crowd even more of an excuse to riot. 3’s a Riot are a four piece band simply bursting with enthusiasm and passion for what they do, and are easily capable of causing any crowd to erupt just from the mention of their name, as proven when Moral Panics singer Dan showed when he asked if the crowd were ready for 3’s a Riot. With hard hitting indie rock tunes, this band wowed the crowd great energy and certainly got the marquee buzzing and up for the headline band of the night.

The headline band, of course, being The Get Alongs. And it would seem only such a band could headline today’s festival after all bands before them seemed to have gotten the crowd more and more feisty and up for a raucous. And The Get Alongs did not disappoint, ramming their set with crazily hectic tunes right from the word go. Front man Shane Davis, fully clad in his Fred Perry T-shirt and dark tinted glasses- which “are prescription you know, I’m not just a knob head” as Shane himself tells the crowd- yet again puts on a performance which more than proves his worthiness on the stage. He is a natural born performer, with Doherty-esque actions in his reckless show, and just a few weeks after the bands support slot for All The Young, The Get Alongs now repay Mr Buxton for putting them at the top of the bill with an outstanding performance.

Although there was a slight communication mix-up between Shane and bass player Gavin, they somehow managed to make it fit into their manic set so well that the crowd quite possibly didn’t even notice it. As said above, Shane really knows how to entertain an audience, and after dedicating a song to all the lads in the crowd that have had their hearts broken by tanned-up tarts, and following that up to dedicate Somedays to everyone who has lost their mum, the front man brought a sense of romance and sentimentality to the set, to leave the fans wanting much more as always. And after harassing one particular photographer, Shane had finished the set being heralded as the most talented performer of the festival.

Possibly one of the most respected artists at the Hippy Haze Fest has to be Jo-ee-T, the inspired DJ ripped into the crowd who were clearly in love with the lad. All of the people at the festival had turned into the marquee to let Joey’s smooth yet hard hitting mixes float into their ears and take them to another place. Half was through his set, and a rather ‘tipsy’ Toby Simcock- 3’s a Riot guitarist stumbles himself onto the stage and starts the crowd into a chorus of “Jo-ee-T, Jo-ee-T”, and Toby and Jo share a friendly hug on the stage.  If there’s one thing you can always guarantee from Jo-ee-T, it’s a vibrant smile, and it was here in full force tonight as he bounced his way through this flawless set. Another visitor now, in the form of The Get Alongs front man Shane Davis, all wrapped up in his parka. Shane and Jo clearly spend a little time chatting about the songs Jo is playing and Shane becomes totally absorbed in the inspired set, until he forced himself to the front of the stage to further enhance Toby’s chant. Jo-ee-T, playing a two and a half hour set, was enjoying himself so much that he even snuck a couple of extra tracks in for the excited and respectful crowd.  And such a busy lad is Joey, shortly after his set at the Hippy Haze Fest he had to rush off to perform another gig until the very early hours of the following morning.

Monday 9th April.

Opening the final day of the festival was beautiful harmonic duo Amy Parker and Ben Steele, with their lovely blend of cover songs perfect for a rainy Easter Monday morning. Covering songs by artists such as Adele, Duffy, Amy Winehouse, Jessie J and Whitney Housten, Amy shows off her stunning singing ability by making songs by these artists her very own. And precise guitar play from Ben, as well as his acute ear for creating perfect and beautiful harmonies with Amy’s voice, this little duo were a lovely opening to the day,

And here she is again, the ultra-talented Sian Matthews, matching Aaron Mobberley’s record of two gig’s at the festival by taking to the stage with her band Heritage. Quite the busy bee, Sian seems understandably tired, yet she still gives an outstanding performance with this three piece band, playing tunes such as Young But Old, and Down, recorded originally with highly respected local artist Cult Party. Hopefully much more is to come from double bass and acoustic guitar outfit Heritage, a band full to the brim with potential and a set already full of classics.

Turning up at the festival armed with an acoustic guitar, a ukulele and a harmonica, when the rest of his band will turn up, but no, Brains For Breakfast actually is a one man army, combining great vocals with catchy guitar riffs and playful melodies and lyrics to create a very enjoyable set. Adding in his own version of an Irish folk song did nothing but get an already entertained crowd even more on his side, even if he did require a bottle of water to wet his dry mouth after singing so quickly in the song.

Budding musician Emilio Pinchi certainly did himself no harm with this brilliant and confident set. The already popular acoustic singer/songwriter rose to the front of the stage with seemingly not a care in the world, and gave the crowd a typically sound performance. Playing songs from his new E.P Kick Backs, Emilio showcased his material in front of a busy crowd, many faces of which were those of appreciative members of bands to have played at the festival or waiting to go on, showing that Emilio is greatly respected by his fellow musicians.

Who’d have thought that shouting into a microphone would sound really good? Apparently Something To Write About did, and it definitely works in their set. It’s not so much shouting, however, as the vocals are in fact disciplined and the harmonies between the band create an intense sound you can’t help but enjoy. The energy from this band, even on a rainy Easter Monday, is highly impressive.

The incredibly addictive blues band .44 Pistol threw in a professional performance full of catchy riffs and tight rhythmic sounds. A very refreshing sound from the three piece line-up, with terrific guitar play to match Ash Jones’ terrific beard and hat, you start to wonder as they cruise through their Mississippi Blues set if there are actually any faults with .44 Pistol. A cool name developing from an inspiring song, a cool image, and cool blues riffs make .44 Pistol a band very hard not to love.

After such an inspired performance from .44 Pistol, you’d think any band following them would now be feeling nervous, but not Swim Into Scarlet, the outstanding four piece from Nantwich. They bounced onto the stage full of attitude and a sheer passion which told the crowd ‘You Will Like Us.’ After an intoxicating guitar riff to open the set, the boys angered through their set, with a hint of WU LYF and The Foals about their sound, and with lovely use of reverb and eye-catching stage presence, Swim Into Scarlet will be leaving the festival with quite a few new fans. During last song, the guitarists clash passionately, pushing each other’s heads into the other’s shoulders, creating an angry vibe not unlike Pete and Carl Libertines.

Instantly lifting the atmosphere in the marquee were The Slippery Hill Boys, coming to the festival of the back of their performance at the Nantwich Jazz and Blues fest. They strolled on stage with beaming smiles, bringing with them their collection of classic bluegrass songs. The Slippery Hill Boys were possibly a band of the festival not many attending had much knowledge of, but the y left the festival having been labelled the most enjoyable performance. Their sweet blend of fast paced music- featuring banjo’s, mandolins, a bass guitar and acoustic guitars- and beautifully crafted harmonies provided the crowd with the perfect bout of quirkiness on this weather-wise dull Easter Monday. This band has gigs booked throughout the whole of 2012 already, and you can fully see why, as the crowd gather at the front of the stage for the opening song, and then by the end of said song the whole crowd are dancing joyfully around the marquee. When trying to describe the Hippy Haze Festival in terms of music, The Slippery Hill Boys seems to fit the bill perfectly- Fun, well arranged, harmless, and sealed with a sense of togetherness that this particular reviewer has felt at no other festival before.

Perhaps all that is needed to be said about the next artist to take to the stage is his name, so popular and respected in the local music scene is he. This local blues legend glided onto the stage and left it as the easy winner of the best dressed man at the festival. Turning up in shiny black brogues and an stunningly suave suit, well groomed hair and an even more well groomed moustache, soloist ­Jim McShee threw in an expected outstanding performance, pleasuring the crowd with his unique voice that could be recognised by anyone. The bitterness of the weather- and perhaps also the thinness of his suit- perhaps began to take its toll of Jim, who was clearly feeling the cold on this grey and rainy morning. Mr McShee’s fingers were beginning to freeze up towards the end of his set, and a couple of mishaps were quite easily understandable, but this blues hero still produce one hell of a fine set, bashing out songs such as Bloody Knuckle Blues and Coffin Nail Blues with his harsh, distinct voice proving to the crowd that there is indeed a reason why this man is so highly respected in Stoke-on-Trent’s music scene.

Classic indie rock outfit Wildfires seemed to swagger onto the stage like they owned the place and the songs they played would warrant them to take over the festival, so powerful and intelligent they were. The band seems to lack confidence on stage, however, which is something they should in fact have bags of. Their songs are all finely tuned, with anthemic vocal melodies and classic indie drum rhythms. And brilliantly bright and catchy guitar riffs, with amazing use of delay. Wildfires are a flower full of potential, and hopefully they will soon bloom.

Getting the errors out of the way firstly, and all that needs to be said is of Stefan Smith forgetting lyrics to one of The Way’s songs. And that was it. The Way had otherwise launched into a completely flawless attack of their classic songs. Their confidence on stage is staggeringly refreshing, and their passion for the band is at times overwhelming, Singer Stefan had split his finger at their Full Moon gig the night before their slot at the Hippy Haze Fest, and tonight it had caught and split again, but Stefan played on regardless, with blood splashing all over his guitar. A band which seems to enjoy playing gigs as much as the crowd enjoy seeing them, The Way deserve to be on the edge of breaking England’s music scene already.

The night is now upon us on the music is becoming more passionate with each set. Dirty Money provide the crowd with their typically up-beat set, excellently rehearsed and excellently performed. Not a note out of place from this bunch of reggae loving two-toners, Dirty Money show the crowd how to really have fun with a beer in hand, with singer Marcus gliding his way through beautiful melodies and bass player Nick cruising through fantastic bass lines that could often rival Aston Barrett.

Taking to the stage close to the headlining slot is the Cherry Counsellors, who were not afraid to mess around with the bands set up at all. Switching instruments frequently, the band were able to make the most out of their sound, using tambourine and trumpet to further enhance their already powerful and well organised set. At one point the bass player sneaks into the crowd and plays as he walks, an act highlighting how much confidence this band has.

Considering many people had given in to the bad weather and called it a day for the festival, Six Towns churning out a stunning set full of energy which literally got everyone at the Hippy Haze Fest into the marquee. A riveting set, extremely well rehearsed, this band have an awful lot of potential with a lot of indie tricks up their sleeves. Single Wasting Away- which as front man Liam announced is proudly at number two on 6 Towns Radio’s local music Hype Chart- was well received by the crowd, who clearly enjoyed the whole set. No note out of turn, this band evidently put heart and soul into each gig, with drummer Paul playing with so much vigour he ended the set on his third pair of drum sticks. Working constantly on new material, and with a pure ambition to succeed, Six Towns let all their hard work pay off on stage in front of the Hippy Haze crowd.

Headlining band Already Gone brought along with them a typically focused set, so well rehearsed that the band could simply enjoy themselves playing it. Their set was full of energy and stage presence to a professional level, and their songs impressed to crowd so much that the band ended playing an encore of almost an hour. More original material would perhaps be well received, as Already Gone have created a popular and entertaining crowd, yet seem to play more cover songs than their own material, but they do, however, produce an amazing set to end the festival on an extremely high note.

After the band’s set, the legend himself Richard Buxton is forced into making a short speech up on the stage. He swaggers humbly to the microphone, where he begins to thank all the people that have made this weekend what it is, not once mentioning the fact that he himself deserves one incredibly huge pat on the back. After months of hearing people tell him he would not be able to pull off this festival, Mr Buxton, and indeed his loyal crowd, took extreme satisfaction in being able to prove them wrong right now. Richard may have spent the last six months pulling out his own hair, but boy was it all worth it.

Lee Barber, Radical’s Rising, only on 6 Towns Radio.


3 thoughts on “Reviews of Every Band from the Hippy Haze Festival 2012

  1. Pingback: » Hippy Haze – Sunday Will's Photoimaging

  2. Pingback: What it means to me…The Stoke music scene (July) | Purple Soul

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